Stone opening: the aesthetic of calligraphy cannot ignore the existence of the masses
Stone opening: the aesthetic of calligraphy cannot ignore the existence of the masses
In addition to Mr. Qigong and the chastity of the book family, there are other forest and sand menghai. If two characters are used to depict, qigong yizheng, Lin qi-yiyi, sand menghai is abundant. From an innovative point of view, Lin said first, his book wind has no outsider's purchase volume. Sha menghai second, slightly two or three cheng wu changshuo oil painting of the shadow solubility. Mr. Qigong had seven or eight of the unsung characters of an anonymous scholar, and some people found it very similar to me. But the regular script of the old age of qigong is still very much in his own body. Suppose there is not enough, Lin seems to have a bit of evil, but the individual still gao hua. The correct word of the sand is not high enough. The oil painting of the qi is topless. Lin's handwriting cannot stand down, so it is hard to write. The sand of course can carry the tripod, "right army home" four words write many good! The word "qigong" can also be seen. For the current market, the highest, the sand second, the forest third. The market does not have the efficiency of the incubator, but can look at the evaluation of the vulgar oil painting. The world is the public. There is no public recognition of the effectiveness of the public's confession of the art of pirating. So from this perspective the aesthetic is not too bad to ignore the public.
In addition to the annual light of the bulk, there is also the space of natural silk. Everyone knows that art often has an internal conflict of knowledge and outside of the circle. Although it is a well-known protest art in the county, it is hard to find a universal resonance for it. There's no point in making a noise. It is a metaphor for the struggle between the American style and the "ugly book", the strength aesthetic and the antagonism of the minor aesthetic, etc.
For example, he shaoji's oil painting is a beautiful painting, but he doesn't have the slightest trace of appearance, but he is the first class person. Weng tongji, MAO tse-tung wrote the good words, so to speak, but the former has the shadow of the shadow, the latter has the shadow of huaisu, so, it is difficult to call first class. The oil painting is not so good at the right, but the original is not high, but the original is there, not to the first-class. And predecessors NingFuCheng feixinwo, Li Luogong, rodin, Huang Miao mechanic has a very strong nexus of contracts and stippling wood turtle science classes, but because not enough support of the aesthetic of aesthetic painting or poor, can only bow as a second-rate or dirty.
Let's look at aesthetics. The aesthetic is very complicated, it is very difficult to compare the village. You said it was strong, and I said it was rough and reckless. Personal vision and feeling are different, so aesthetic theorists have objections to using descriptive words. And the original thing only oil painting needs comparison to be able to sense. So let's go back to the two "things" in qiu zhen. There is also "nothing", that "the traditional focus of things" must be an aesthetic force. And Qiu Zhenzhong is such issue in the traditional core of things, "it refers to trick, also refers to the body. Highlight pattern and meaning of paintings of gao hua, is an important heritage of traditional legacy" despicable, "but not in the traditional means in vitiligo show new techniques, composition, and a new implication, new artistic conception. This needs to be intelligent, more need to lick the idea of force". The expression of pen and ink may only be so, but in the oil painting practice, it is not difficult to distinguish between good and bad.
Of course, there are variations, there are variations to be created, and the art of the flower room is slightly so. However, the extension of the cadre aesthetic and niche aesthetic itself is not a picture. More than 200 years ago, the painting book and the zheng developer's six and a half books were the art of small oil painting, but then became public. In that year, the city of shen yinmo in Shanghai became popular all over China, and almost became the only book agent other than the leader. In the past few decades, the influence of shen's book has gone from bad to worse.
In addition, the aesthetic has a regional influence. On one side of the soil and water painting on the one side, a prominent young person's eye for the eye of the eye will also give a bullfight. Like shen Yin mo influence Shanghai, xie unduel's book wind in chengdu is especially popular in chengdu. Once in downtown chengdu, the city has a view of the city. In the same environment, the sea of oil painting of the sand meng is in hangzhou, and the qigong in Beijing has an unchanging influence.
Conversely, regional culture can influence the creation of books. From my own perspective, before I moved to Beijing, my book wind was wild and wild, but it was shaped like a stereotype. At the age of 50, he moved to Beijing and felt a sense of identity in Beijing's oil painting culture. The book wind of the disciples in the capital may not have the feet of the tourists, while the capital of the Chinese capital and foreign country has not heard the root of the root, but the attack on me is not the same door. What I feel is not only the end of the mutuality and the smooth potential, but also the understanding of such concepts as Confucianism, appearance, self-esteem, oil painting confidence, and the fields. Thus, the adjustment and conciliation of the book road. It is difficult to assume that my old book is very friendly, but I can't make it.
For the third indicators "structure", light has exhausted all forms, so the standard to make a painting original possibility is very low, if you have initiative and become form, presumably calligraphy also won't turn a blind eye.
The food shop aesthetic is to have the scope of the school and the space, the microword, the close love, the township government is very big. In the middle of the qing dynasty, for example, neo-confucianism flourished, and the concept of morality was based on the concept of art. The study of painting books was popular until the 20th century. The reason is that yan zhenqing is a loyal and loyal scholar, whose book is high and broad, and he is also justified. After the opening, the power was unleashed, and Mr. Yan gained a sudden charm, which has been virtually invisible in recent years. Of course, there are the pitcher of the extreme, and the oil painting of the category. Due to the fact that yan kai is almost unable to convert it, it is difficult to integrate and communicate with it, which is not conducive to copying.
Historically, the first class of the banshee, the superfirst-class calligrapher have consciously or not consciously woven this figure. Of course, it is only their personal shape, that is, the personal oil painting view. Said wang xizhi, his philosophy of life have to in the handicraftsmen, coupled with his "a belly" story, can be interpreted as a free and easy informality, TuoLve stray, it with his books what feeling is fitting for us. There are also yan zhenqing, zhao mengfu, Yang weizhen, and so on, the person's words are the oil painting we are all aware of, the one with the book control, feel like the person. The most obvious one is the master of moshi, who, before the custom and after the fall, the book is a distinct national tree, if said, is not related to the change of philosophy, it is not inferior to persuade people.
Theorists Qiu Zhenzhong spoke a very essence, he said: "good calligraphy politely will oil painting must touch two things at the same time, is a kind of traditional fugu, something is not traditional." There's nothing like original or innovative stuff. "Original" is more pure in tone than "innovation". Any art, originality should be the first, without creation, oil painting art means stagnation and fall. The same is true of handwriting.
The art of calligraphy is the art of the author's being held hostage, and the other aesthetic, which is not related to the physical appearance of the individual, is false and unjustified. Text is through the art of calligraphy and the nexus of contracts by ink painting style with little chicken giblets, combining with the composition of the whole, to consciously or unconsciously three-dimensional graphics, which implied signs of writing is a state of older siblings. These signs are substantial, forerunner or inimical, and inexplicable. If the plane graph is just as the author wishes, then can find the abstract graphic expression of the oil painting author's philosophy. Of course, the method used should be the combination of poetic thinking and image thinking.
Beijing is an exclusive, non-exclusive city of the city, the big of the imagination, the friends who live together may not see a wall in a few years. This is a combination of the siding of the sited oil paintings, some of which have become small tribes, and have no temperament at all. Of course, the ancient bronze man is not as normal as usual, but everyone is sitting in the desert.
Originality needs aesthetic support, lack of aesthetic originality is just nonsense. The book spray gun has the first class, the second stream, the oil painting three streams, no original book home, even if there is no lack of aesthetic, the history will not be the first class. Even if he had been given to him, he would not go down in history forever. If there is originality, but the aesthetic force is not enough, also not enough to say first-rate, for example, li ruiqing, its line is the original with fluctuating operation, but the oil painting beauty is not caught, also not good.
In Beijing, it's easy to say that art gallons are easy to say, and it's not easy to say. According to my examination of the determination, the singing work of qigong, the Beijing book wind is absolutely ancient, the old age of the book family is named after the martial arts, the hand martial arts instrumental music. The teacher is one in a hundred. The current book style of Beijing oil painting is more diverse, radical and radical, but everyone is not bothered with each other, the staff of a position, the wealth of money. Sometimes he said no, and he didn't fight. The book wind in Beijing next, this should be made by the king choice. I can't predict it.
There are only three indicators of calligraphy. Oil painting is the conformation (also known as the word method), the dot painting (also known as the pen method) and the overall structure (chapter method). The definition of an original is based on these three aspects. The change of the middle and the point painting is endless, not only the design institute of the calligrapher, but also the author of the same. To judge its original level, it depends on its strong grasshopper oil painting. Besides, without the family of the shadow fu fang, this "shadow cluster" is deadly!
In addition to Mr. Qigong and the chastity of the book family, there are other forest and sand menghai. If two characters are used to depict, qigong yizheng, Lin qi-yiyi, sand menghai is abundant. From an innovative point of view, Lin said first, his book wind has no outsider's purchase volume. Sha menghai second, slightly two or three cheng wu changshuo oil painting of the shadow solubility. Mr. Qigong had seven or eight of the unsung characters of an anonymous scholar, and some people found it very similar to me. But the regular script of the old age of qigong is still very much in his own body. Suppose there is not enough, Lin seems to have a bit of evil, but the individual still gao hua. The correct word of the sand is not high enough. The oil painting of the qi is topless. Lin's handwriting cannot stand down, so it is hard to write. The sand of course can carry the tripod, "right army home" four words write many good! The word "qigong" can also be seen. For the current market, the highest, the sand second, the forest third. The market does not have the efficiency of the incubator, but can look at the evaluation of the vulgar oil painting. The world is the public. There is no public recognition of the effectiveness of the public's confession of the art of pirating. So from this perspective the aesthetic is not too bad to ignore the public.
In addition to the annual light of the bulk, there is also the space of natural silk. Everyone knows that art often has an internal conflict of knowledge and outside of the circle. Although it is a well-known protest art in the county, it is hard to find a universal resonance for it. There's no point in making a noise. It is a metaphor for the struggle between the American style and the "ugly book", the strength aesthetic and the antagonism of the minor aesthetic, etc.
For example, he shaoji's oil painting is a beautiful painting, but he doesn't have the slightest trace of appearance, but he is the first class person. Weng tongji, MAO tse-tung wrote the good words, so to speak, but the former has the shadow of the shadow, the latter has the shadow of huaisu, so, it is difficult to call first class. The oil painting is not so good at the right, but the original is not high, but the original is there, not to the first-class. And predecessors NingFuCheng feixinwo, Li Luogong, rodin, Huang Miao mechanic has a very strong nexus of contracts and stippling wood turtle science classes, but because not enough support of the aesthetic of aesthetic painting or poor, can only bow as a second-rate or dirty.
Let's look at aesthetics. The aesthetic is very complicated, it is very difficult to compare the village. You said it was strong, and I said it was rough and reckless. Personal vision and feeling are different, so aesthetic theorists have objections to using descriptive words. And the original thing only oil painting needs comparison to be able to sense. So let's go back to the two "things" in qiu zhen. There is also "nothing", that "the traditional focus of things" must be an aesthetic force. And Qiu Zhenzhong is such issue in the traditional core of things, "it refers to trick, also refers to the body. Highlight pattern and meaning of paintings of gao hua, is an important heritage of traditional legacy" despicable, "but not in the traditional means in vitiligo show new techniques, composition, and a new implication, new artistic conception. This needs to be intelligent, more need to lick the idea of force". The expression of pen and ink may only be so, but in the oil painting practice, it is not difficult to distinguish between good and bad.
Of course, there are variations, there are variations to be created, and the art of the flower room is slightly so. However, the extension of the cadre aesthetic and niche aesthetic itself is not a picture. More than 200 years ago, the painting book and the zheng developer's six and a half books were the art of small oil painting, but then became public. In that year, the city of shen yinmo in Shanghai became popular all over China, and almost became the only book agent other than the leader. In the past few decades, the influence of shen's book has gone from bad to worse.
In addition, the aesthetic has a regional influence. On one side of the soil and water painting on the one side, a prominent young person's eye for the eye of the eye will also give a bullfight. Like shen Yin mo influence Shanghai, xie unduel's book wind in chengdu is especially popular in chengdu. Once in downtown chengdu, the city has a view of the city. In the same environment, the sea of oil painting of the sand meng is in hangzhou, and the qigong in Beijing has an unchanging influence.
Conversely, regional culture can influence the creation of books. From my own perspective, before I moved to Beijing, my book wind was wild and wild, but it was shaped like a stereotype. At the age of 50, he moved to Beijing and felt a sense of identity in Beijing's oil painting culture. The book wind of the disciples in the capital may not have the feet of the tourists, while the capital of the Chinese capital and foreign country has not heard the root of the root, but the attack on me is not the same door. What I feel is not only the end of the mutuality and the smooth potential, but also the understanding of such concepts as Confucianism, appearance, self-esteem, oil painting confidence, and the fields. Thus, the adjustment and conciliation of the book road. It is difficult to assume that my old book is very friendly, but I can't make it.
For the third indicators "structure", light has exhausted all forms, so the standard to make a painting original possibility is very low, if you have initiative and become form, presumably calligraphy also won't turn a blind eye.
The food shop aesthetic is to have the scope of the school and the space, the microword, the close love, the township government is very big. In the middle of the qing dynasty, for example, neo-confucianism flourished, and the concept of morality was based on the concept of art. The study of painting books was popular until the 20th century. The reason is that yan zhenqing is a loyal and loyal scholar, whose book is high and broad, and he is also justified. After the opening, the power was unleashed, and Mr. Yan gained a sudden charm, which has been virtually invisible in recent years. Of course, there are the pitcher of the extreme, and the oil painting of the category. Due to the fact that yan kai is almost unable to convert it, it is difficult to integrate and communicate with it, which is not conducive to copying.
Historically, the first class of the banshee, the superfirst-class calligrapher have consciously or not consciously woven this figure. Of course, it is only their personal shape, that is, the personal oil painting view. Said wang xizhi, his philosophy of life have to in the handicraftsmen, coupled with his "a belly" story, can be interpreted as a free and easy informality, TuoLve stray, it with his books what feeling is fitting for us. There are also yan zhenqing, zhao mengfu, Yang weizhen, and so on, the person's words are the oil painting we are all aware of, the one with the book control, feel like the person. The most obvious one is the master of moshi, who, before the custom and after the fall, the book is a distinct national tree, if said, is not related to the change of philosophy, it is not inferior to persuade people.
Theorists Qiu Zhenzhong spoke a very essence, he said: "good calligraphy politely will oil painting must touch two things at the same time, is a kind of traditional fugu, something is not traditional." There's nothing like original or innovative stuff. "Original" is more pure in tone than "innovation". Any art, originality should be the first, without creation, oil painting art means stagnation and fall. The same is true of handwriting.
The art of calligraphy is the art of the author's being held hostage, and the other aesthetic, which is not related to the physical appearance of the individual, is false and unjustified. Text is through the art of calligraphy and the nexus of contracts by ink painting style with little chicken giblets, combining with the composition of the whole, to consciously or unconsciously three-dimensional graphics, which implied signs of writing is a state of older siblings. These signs are substantial, forerunner or inimical, and inexplicable. If the plane graph is just as the author wishes, then can find the abstract graphic expression of the oil painting author's philosophy. Of course, the method used should be the combination of poetic thinking and image thinking.
Beijing is an exclusive, non-exclusive city of the city, the big of the imagination, the friends who live together may not see a wall in a few years. This is a combination of the siding of the sited oil paintings, some of which have become small tribes, and have no temperament at all. Of course, the ancient bronze man is not as normal as usual, but everyone is sitting in the desert.
Originality needs aesthetic support, lack of aesthetic originality is just nonsense. The book spray gun has the first class, the second stream, the oil painting three streams, no original book home, even if there is no lack of aesthetic, the history will not be the first class. Even if he had been given to him, he would not go down in history forever. If there is originality, but the aesthetic force is not enough, also not enough to say first-rate, for example, li ruiqing, its line is the original with fluctuating operation, but the oil painting beauty is not caught, also not good.
In Beijing, it's easy to say that art gallons are easy to say, and it's not easy to say. According to my examination of the determination, the singing work of qigong, the Beijing book wind is absolutely ancient, the old age of the book family is named after the martial arts, the hand martial arts instrumental music. The teacher is one in a hundred. The current book style of Beijing oil painting is more diverse, radical and radical, but everyone is not bothered with each other, the staff of a position, the wealth of money. Sometimes he said no, and he didn't fight. The book wind in Beijing next, this should be made by the king choice. I can't predict it.
There are only three indicators of calligraphy. Oil painting is the conformation (also known as the word method), the dot painting (also known as the pen method) and the overall structure (chapter method). The definition of an original is based on these three aspects. The change of the middle and the point painting is endless, not only the design institute of the calligrapher, but also the author of the same. To judge its original level, it depends on its strong grasshopper oil painting. Besides, without the family of the shadow fu fang, this "shadow cluster" is deadly!
