Whether buddhist art still has room to rise depends on the market's good and bad
Whether buddhist art still has room to rise depends on the market's good and bad.
Usually or because of the degree of the degree of the tip of the queen, the degree of the degree of the queen of green tara is the degree to which the mother of the white tara is the green tara. In fact, the two buddhas, the green tara and the white tara, are the Buddha's mother, which is the result of the grief and sorrow of the bodhisattva of the great music division, the mother of the Lord, the master of the oil painting.
Jules Speelman's collection of a pair of gonghan sowing images
Mustang, the Tibetan language is "the fertile plain". The kingdom is at the border between Tibet and Nepal. Once affiliated to Tibet, the complex believed in Tibetan Buddhism. In the 15th and 17th centuries, there was a wealth of wealth in the case of the special commercial property of the Himalayan oil gallery. The end of the 18th century, were gorkha tribal compliance, gorkha became dominant a small piece of the kingdom of Nepal, until 2008, the abolition of the wood, pond at the end of a generation of king JinMei Mr Bobby (JigmePalbarBista) to make the secretarial family in the wood, erected in 1350 of oil paintings pond monarchy since then was failure.
The bronze gilt white tara in the 14th century
In contrast to the murals, we can see the complete and consistent facial features of five officials, baoguan, labor, arms and bangles. It is more light and soft than that of the oil painting of the temple and the broad-shouldered rich Nepal. Jewler, horse, (Jules Speelman) collection of a pair of gonggar mulberry planting like (34 cm, 32.4 cm high, red copper and gold, a book: a west, editor of "the Buddha rhyme art highlights of statues, paintings," on page 126 to page 129, cultural relics publishing house, 2013. The exhibition: "Buddha rhyme - sculpture art highlights" exhibition, schedule of prose pavilion, 8 November 2013 solstice November 28), with clear wood pond YiSenGe o prince of capital contribution, the artist chu multiplied to record. Its face wheel, oil painting cheekbone, gull and tara are like the same. The extension of the waist curve is consistent on both sides. The twirls of the double-sided urbala in the arms are also inherited from the same time. Which can be concluded that the white tara and green tara did earlier period, for the same craftsmen and gonggar like mulberry planting group, although still successively exquisite lines, thin oil painting be deepened the inscription, but the air of a lotus, according to their later from the unified workshop.
The bronze gilt white tara in the 14th century
The first two were made in the latter, and were popular in the 13th century. It was the newval and the oil paintings, which had been sowed with childish techniques, along with the glory of their ancestors who had been with them six hundred years ago. In the eastern part of Nepal, the site of the bamboo shoots, which is built like bamboo shoots, and their superb craftsmanship in the western part of Tibet, have been developed with each other, and then with their vision and authenticity, they continue to grow east and west.
14th-century bronze gilt white tara (partial)
14th-century bronze gilt painting white tara image (local)
This pond white tara like rare wood, five line to turn to its four, in addition to the "wrong" singing, moreover all lies, and pure appropriate 14 to 15 century fragments, more rare wood, typical pond.
Oil painting of liao dynasty in Taiwan, Tibet, green tara in the 14th century
The conservation of the tree storage of the tree, shaping the special of multiple details. Gold copper Buddha in addition to the outside of the casting and hammer Die forming the basic aesthetics, still repair a workman on the polished smooth mud like implement "set, embedded, fault, mine loader, carved" subsequent five hand painting art. Set: so turquoise, coral, crystal, colored glaze and other precious stones, adhere to the main verb, and fill in the reserved hollow. Inlaid: do not need to glue, and the gold and silver chains of the shape of the two sides perforated or physical way, and the small pearl and coral strings are inserted into the slot. Slightly open; Wrong: it is to knock the metal on the oil painting into the dark groove, the groove section is the horseshoe shape, make the gold, silver, tin, and all kinds of copper which are put into the middle, make it smooth and not easy to fall outside. Still 鋄 ZuShangRou, gold and silver used in iron matrix; It is made of gold. It is applied to mercury, applied to copper or silver, and the mercury evaporates after it is heated. It's the same with silver. The interior of the oil painting is also made of lacquer gold; Engraving: the main diameter of the gilding is to make the line clearer and more solid. The worn patterns of the chisel are taken from the prevailing brocade silk. The bell chisel which is inscriptions is often found in the gilt, and the work of non-gilding is only the final polishing.
14th-century bronze gilt white tara (partial)
Jules Speelman's collection of a pair of gonghan sowing images
White tara sleeping in his left hand, right hand is ready to, compassion and tranquility in the bud of the ley in full bloom, bloom exclusive wooden pond hot bench of art, the beiyang besmirch, bright led light up painting no longer thorns recently.
Taiwan liao Lou ju old Tibet, xizcentury, Tibet, green tara
14th-century bronze gilt white tara (partial)
(2)
If you understand the value of the art, the first oil painting should be explored to be different from the three abstract values of the general merchandise. Aesthetic characteristics; 2. External culture; 3. Material properties. As the value of art has been reduced, the relative value of the display series will never be the top. It is easy to understand that abstract values can be found and served endlessly... The painting of the art market is still very much in place because of the unknown speculator and the difficulty of understanding the decipher. In this late fourteenth century, the first half of the first half of the fifteenth century, the white matriarch, is equal to the example of the unknown sphere. At that time, she led us into the ethereal mystery of mustang, picking up the land card, and counting the different colors of the painting.
14th-century bronze gilt white tara (partial)
Often friends ask, since the yongle Buddha and the embroidery thangka produced oil painting, the price of the buddhist art market has been far beyond the calligraphy, the magnetic device, can there still be the falling space?
Affected by initial Nepal and multiwave art spirit, wooden pond taking the inferior and impressively, and as the only wood, pond, copper and gold green tara figure of Buddha, has the characteristic of oil painting to identify: poor jaw round oval; Pink neck and shoulders, curvaceous body, slender waist to highlight the nocturnal military wen wan; The braids of the shawl, like the waves of university strands, are emerging; The hand is very clear, the fingers of the tip of the knuckles are highly rhythmic. 6 decorative luxury, with rare and engraved lines, to strengthen the fine art of the oil painting; The lotus leaf point eagle is competitive with the agility of the straight and double sides of the shoulder and the strength of the shoulder, all the decorations have similar marks and other six colors. Among them, the white tara and the green tara were apart from the big differences in size, and they were parted in the cap, the front, the silver in the waist, and the string of pearls that were lost in the crown of the green tara. Oil painting green tara like (32 cm high, red copper and gold, gems, book: a west editor "Buddha rhyme - sculpture art highlights", 147, 146, cultural relics publishing house, 2013. The exhibition: "Buddha rhyme - sculpture art highlights" exhibition, the capital its pavilion, 8 November 2013 solstice on November 28 oil painting) in the back of the culottes, lotus chisel carved flowers and plants, journey and eight auspicious patterns, and the bottom of the lotus carving in sequence along the casting of Zagreb on wishes the Vatican to curse, is with the white tara characteristics.
The bronze gilt white tara in the 14th century
(3)
& painting have spent
14th-century bronze gilt white tara (partial)
Bai du mu, the "ruyi wheel" of the general society, is the goddess of the guanyin bodhisattva, the Lord long life, rich, auspicious, and with the infinite life Buddha, the holy Buddha is called "longevity three people". With the grace and grace of the Lord, the goddess of mercy, the green tara of the disaster, is often enshrined in Tibetan. White oil painting degree mother with its forehead, hands palm, the knot king kong's sitting of the foot heart, a total of seven eyes for its obvious characteristics.
The white tara is like the bottom of the lotus, along with the bead line, the side is the Sanskrit lanza body Yang engraved the week ring mantra.
Usually or because of the degree of the degree of the tip of the queen, the degree of the degree of the queen of green tara is the degree to which the mother of the white tara is the green tara. In fact, the two buddhas, the green tara and the white tara, are the Buddha's mother, which is the result of the grief and sorrow of the bodhisattva of the great music division, the mother of the Lord, the master of the oil painting.
Jules Speelman's collection of a pair of gonghan sowing images
Mustang, the Tibetan language is "the fertile plain". The kingdom is at the border between Tibet and Nepal. Once affiliated to Tibet, the complex believed in Tibetan Buddhism. In the 15th and 17th centuries, there was a wealth of wealth in the case of the special commercial property of the Himalayan oil gallery. The end of the 18th century, were gorkha tribal compliance, gorkha became dominant a small piece of the kingdom of Nepal, until 2008, the abolition of the wood, pond at the end of a generation of king JinMei Mr Bobby (JigmePalbarBista) to make the secretarial family in the wood, erected in 1350 of oil paintings pond monarchy since then was failure.
The bronze gilt white tara in the 14th century
In contrast to the murals, we can see the complete and consistent facial features of five officials, baoguan, labor, arms and bangles. It is more light and soft than that of the oil painting of the temple and the broad-shouldered rich Nepal. Jewler, horse, (Jules Speelman) collection of a pair of gonggar mulberry planting like (34 cm, 32.4 cm high, red copper and gold, a book: a west, editor of "the Buddha rhyme art highlights of statues, paintings," on page 126 to page 129, cultural relics publishing house, 2013. The exhibition: "Buddha rhyme - sculpture art highlights" exhibition, schedule of prose pavilion, 8 November 2013 solstice November 28), with clear wood pond YiSenGe o prince of capital contribution, the artist chu multiplied to record. Its face wheel, oil painting cheekbone, gull and tara are like the same. The extension of the waist curve is consistent on both sides. The twirls of the double-sided urbala in the arms are also inherited from the same time. Which can be concluded that the white tara and green tara did earlier period, for the same craftsmen and gonggar like mulberry planting group, although still successively exquisite lines, thin oil painting be deepened the inscription, but the air of a lotus, according to their later from the unified workshop.
The bronze gilt white tara in the 14th century
The first two were made in the latter, and were popular in the 13th century. It was the newval and the oil paintings, which had been sowed with childish techniques, along with the glory of their ancestors who had been with them six hundred years ago. In the eastern part of Nepal, the site of the bamboo shoots, which is built like bamboo shoots, and their superb craftsmanship in the western part of Tibet, have been developed with each other, and then with their vision and authenticity, they continue to grow east and west.
14th-century bronze gilt white tara (partial)
14th-century bronze gilt painting white tara image (local)
This pond white tara like rare wood, five line to turn to its four, in addition to the "wrong" singing, moreover all lies, and pure appropriate 14 to 15 century fragments, more rare wood, typical pond.
Oil painting of liao dynasty in Taiwan, Tibet, green tara in the 14th century
The conservation of the tree storage of the tree, shaping the special of multiple details. Gold copper Buddha in addition to the outside of the casting and hammer Die forming the basic aesthetics, still repair a workman on the polished smooth mud like implement "set, embedded, fault, mine loader, carved" subsequent five hand painting art. Set: so turquoise, coral, crystal, colored glaze and other precious stones, adhere to the main verb, and fill in the reserved hollow. Inlaid: do not need to glue, and the gold and silver chains of the shape of the two sides perforated or physical way, and the small pearl and coral strings are inserted into the slot. Slightly open; Wrong: it is to knock the metal on the oil painting into the dark groove, the groove section is the horseshoe shape, make the gold, silver, tin, and all kinds of copper which are put into the middle, make it smooth and not easy to fall outside. Still 鋄 ZuShangRou, gold and silver used in iron matrix; It is made of gold. It is applied to mercury, applied to copper or silver, and the mercury evaporates after it is heated. It's the same with silver. The interior of the oil painting is also made of lacquer gold; Engraving: the main diameter of the gilding is to make the line clearer and more solid. The worn patterns of the chisel are taken from the prevailing brocade silk. The bell chisel which is inscriptions is often found in the gilt, and the work of non-gilding is only the final polishing.
14th-century bronze gilt white tara (partial)
Jules Speelman's collection of a pair of gonghan sowing images
White tara sleeping in his left hand, right hand is ready to, compassion and tranquility in the bud of the ley in full bloom, bloom exclusive wooden pond hot bench of art, the beiyang besmirch, bright led light up painting no longer thorns recently.
Taiwan liao Lou ju old Tibet, xizcentury, Tibet, green tara
14th-century bronze gilt white tara (partial)
(2)
If you understand the value of the art, the first oil painting should be explored to be different from the three abstract values of the general merchandise. Aesthetic characteristics; 2. External culture; 3. Material properties. As the value of art has been reduced, the relative value of the display series will never be the top. It is easy to understand that abstract values can be found and served endlessly... The painting of the art market is still very much in place because of the unknown speculator and the difficulty of understanding the decipher. In this late fourteenth century, the first half of the first half of the fifteenth century, the white matriarch, is equal to the example of the unknown sphere. At that time, she led us into the ethereal mystery of mustang, picking up the land card, and counting the different colors of the painting.
14th-century bronze gilt white tara (partial)
Often friends ask, since the yongle Buddha and the embroidery thangka produced oil painting, the price of the buddhist art market has been far beyond the calligraphy, the magnetic device, can there still be the falling space?
Affected by initial Nepal and multiwave art spirit, wooden pond taking the inferior and impressively, and as the only wood, pond, copper and gold green tara figure of Buddha, has the characteristic of oil painting to identify: poor jaw round oval; Pink neck and shoulders, curvaceous body, slender waist to highlight the nocturnal military wen wan; The braids of the shawl, like the waves of university strands, are emerging; The hand is very clear, the fingers of the tip of the knuckles are highly rhythmic. 6 decorative luxury, with rare and engraved lines, to strengthen the fine art of the oil painting; The lotus leaf point eagle is competitive with the agility of the straight and double sides of the shoulder and the strength of the shoulder, all the decorations have similar marks and other six colors. Among them, the white tara and the green tara were apart from the big differences in size, and they were parted in the cap, the front, the silver in the waist, and the string of pearls that were lost in the crown of the green tara. Oil painting green tara like (32 cm high, red copper and gold, gems, book: a west editor "Buddha rhyme - sculpture art highlights", 147, 146, cultural relics publishing house, 2013. The exhibition: "Buddha rhyme - sculpture art highlights" exhibition, the capital its pavilion, 8 November 2013 solstice on November 28 oil painting) in the back of the culottes, lotus chisel carved flowers and plants, journey and eight auspicious patterns, and the bottom of the lotus carving in sequence along the casting of Zagreb on wishes the Vatican to curse, is with the white tara characteristics.
The bronze gilt white tara in the 14th century
(3)
& painting have spent
14th-century bronze gilt white tara (partial)
Bai du mu, the "ruyi wheel" of the general society, is the goddess of the guanyin bodhisattva, the Lord long life, rich, auspicious, and with the infinite life Buddha, the holy Buddha is called "longevity three people". With the grace and grace of the Lord, the goddess of mercy, the green tara of the disaster, is often enshrined in Tibetan. White oil painting degree mother with its forehead, hands palm, the knot king kong's sitting of the foot heart, a total of seven eyes for its obvious characteristics.
The white tara is like the bottom of the lotus, along with the bead line, the side is the Sanskrit lanza body Yang engraved the week ring mantra.
